Tuesday, May 21, 2013

The Great Gatsby by F. Scott Fitzgerald



I read The Great Gatsby again in preparation for the Baz Luhrmann movie. I giggled at the reviews that called it out for being a spectacle. Uh, isn't that what you watch a Baz movie for?? One reviewer went so far as to claim that Leo is too old. I did a little google search, and discovered that Leo is approximately 39. Robert Redford was 38 in 1974 when he played Gatsby. Pish. Posh.

This isn't a regular review because really, what can you say about this masterpiece that hasn't been said already?? Here are a few of my favorite lines from the first five chapters:

Chapter 1
"Whenever you feel like criticizing any one," he told me, "just remember that all the people in this world haven't had the advantages that you've had."

Reserving judgments is a matter of infinite hope. I am still a little afraid of missing something if I forget that, as my father snobbishly suggested, and I snobbishly repeat, a sense of the fundamental decencies is parcelled out unequally at birth.

If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away.

Something was making him nibble at the edge of stale ideas as if his sturdy physical egotism no longer nourished his peremptory heart.

Something in his leisurely movements and the secure position of his feet upon the lawn suggested that it was Mr. Gatsby himself, come out to determine what share was his of our local heavens.

Chapter 2
I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.

Chapter 3
He smiled understandingly--much more than understandingly. It was one of those rare smiles with a quality of eternal reassurance in it, that you may come across four or five times in life. It faced--or seemed to face--the whole external world for an instant, and then concentrated on you with an irrestible prejudice in your favor. It understood you just as far as you wanted to be understood, believed in you as you would like to believe in yourself, and assured you that it had precisely the impression of you that, at your best, you hoped to convey. Precisely at that point it vanished--and I was looking at an elegant young roughneck, a year or two over thirty, whose elaborate formality of speech just missed being absurd. Some time before he introduced himself I'd got a strong impression that he was picking his words with care.

"Anyhow, he gives large parties," said Jordan, changing the subject with an urban distaste for the concrete. "And I like large parties. They're so intimate. At small parties there isn't any privacy."

Every one suspects himself of at least one of the cardinal virtues, and this is mine: I am one of the few honeset peole that I have ever known.

Chapter 4
A dead man passed us in a hearse heaped with blooms, followed by two carriages drawn blinds, and by more cheerful carriages for friends. The friends looked out at us with the tragic eyes and short upper lips of southeastern Europe, and I was glad that the sight of Gastby's splendid car was included in their somber holiday. As we crossed Blackwell's Island a limousine passed us, driven by a white chauffeur, in which sat three modish negroes, two bucks and a girl. I laughed aloud as the yolks of their eyeballs rolled toward us in haught rivalry.
"Anything can happen now that we've slid over this bridge," I thought; "anything at all...."
Even Gatsby could happen, without any particular wonder.

A phrase began to beat in my ears with a sort of heady excitement: "There are only the pursued, the pursuing, the busy, and the tired."

Chapter 5
They were sitting at either end of the couch, looking at each other as if some question had been asked, or was in the air, and every vestige of embarrassment was gone. Daisy's face was smeared with tears, and wehn I cane in she jumped up and began wiping at it with her handkerchief before a mirroe. But there was a change in Gatsby that was simply confounding. He literally glowed; without a word or a gesture of exultation a new well-being radiated from him and filled the little room.

He hadn't once ceased looking at Daisy, and I think he revalued everything in his house according to the measure of response it drew from her well-loved eyes. Sometimes, too, he started around at his possessions in a dazed way, as though in her actual and astounding presence none of it was any longer real. One he nearly toppled down a flight of stairs.

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